2025 was a year of growth, movement, and deeper exploration of visual language through ASL, color, and community. Each project, exhibition, and collaboration became part of a larger direction—shaping how my work connects across spaces, audiences, and experiences.

This archive highlights selected moments from the year.

February

A collaborative ASL poetry video project with Douglas Ridloff explored identity and self-reflection through movement and visual storytelling.

I also participated in the LA Art Show 2025, exhibiting work with Teravarna, and released ASL LOVE Philly, a fine art print inspired by Robert Indiana’s LOVE sculpture—reimagined through ASL handshapes.

March

I began a Deaf Art Residency at Michigan School for the Deaf, working directly with students to create three large-scale mural pieces.

This experience focused on expression, mentorship, and the power of visual language in education. I was also honored to be part of the Marie Jean Philip Competition, supporting Deaf youth and their creative voices.

April

I led a digital art workshop at University High School in Irvine, where students explored ASL through stop-motion animation.

At California School for the Deaf, Riverside, I celebrated National ASL Day through storytelling and ASL poetry.

Later, I was featured live on FOX5 and received Best Poetry VFX at the Slam Row Film Festival in New York for my video art Journey Hard.

May

Following the festival, I continued developing ASL Abstract Motion, focusing on rhythm, movement, and visual structure.

I also worked with students at San Diego City College and reflected on themes of Deaf identity through my artwork Deaf Power.

June

My artwork Mission Bay Reflection was awarded First Place in the Digital Art category at the San Diego County Fair.

This recognition marked an important moment of visibility and connection with a broader audience.

September

During Deaf Awareness Month, I was featured in SDVoyager, sharing my journey as a Deaf contemporary artist.

My hybrid short film was presented at the ROAM 1920s Gala, opening conversations about Deaf history, identity, and change.

October

I collaborated with Veditz Brewery on Sunset Gold, a limited-edition beer label featuring my artwork.

At the Deaf Way Film Festival at Gallaudet University, I presented ASL Abstract Motion as an immersive installation and spoke about the work with the community.

December

The original artwork Hands of Peace was presented at California School for the Deaf, Riverside, and later auctioned to support the Jewish Deaf Congress.

This piece focused on unity, cultural connection, and shared identity.

Closing

These moments continue to shape how I approach art, movement, and communication.

The work evolves—but the intention remains: to create visual language that connects, resonates, and stays.

Explore available original artworks and fine art prints, including recent and collector-favorite pieces, at JonSavageGallery.com.